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	<title>The Umbrella Group &#187; tweeture</title>
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	<link>http://www.umbrellagroup.org</link>
	<description>A team of UK Creatives at SXSW 2010</description>
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		<title>Capturing Tweeture #1</title>
		<link>http://www.umbrellagroup.org/2010/03/capturing-tweeture-1/</link>
		<comments>http://www.umbrellagroup.org/2010/03/capturing-tweeture-1/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 17:59:02 +0000</pubDate>
		<dc:creator>Clare Reddington</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[games. sxsw]]></category>
		<category><![CDATA[tweeture]]></category>

		<guid isPermaLink="false">http://www.umbrellagroup.org/?p=64</guid>
		<description><![CDATA[This year we again wanted to commission something that would become a talking point at SXSW. Something that would act as a calling card for The Umbrella Group and promote UK creativity. With support from Arts Council England, we began to throw around ideas as a group and settled on SlingShot&#8217;s Tweeture. The thinking was [...]]]></description>
			<content:encoded><![CDATA[<p>This year we again wanted to commission something that would become a talking point at SXSW. Something that would act as a calling card for <a href="http://www.umbrellagroup.org">The Umbrella Group</a> and promote UK creativity. With support from <a href="http://www.artscouncil.org.uk/">Arts Council England</a>, we began to throw around ideas as a group and settled on SlingShot&#8217;s <a href="http://www.umbrellagroup.org/author/tweeture/">Tweeture</a>. The thinking was to design something that would encourage interaction between delegates, a kind of conch that gave people permission, a reason/excuse, to speak to a stranger. Tweeture also explores notions of caring at a Festival where much of the talk and interaction is around technology.</p>
<p>The Tweeture has already been a great success. He has featured in a <a href="http://vimeo.com/10142976">BBC&#8217;s Digital Planet video</a> for the World Service, in numerous twitters and photos, but more than that he has become a talking point, a recognised figure at the Festival. Even the first night when the technology wasn&#8217;t switched on, his presence was enough to stop people who wanted to know what he was, could they get one and could they hold him.</p>
<p>So, some Tweeture moments (some I saw, some i have heard about) before they are forgotten:</p>
<ul>
<li>&#8221; Look its the Tweeture&#8221; &#8220;Wow its Tweeture&#8221; one the first night walking passed a queue for a restaurant</li>
<li>&#8220;Can he see that we are black?&#8221; from a group of Austin boys on 6th Street</li>
<li>&#8220;He was here but I think he left about an hour ago&#8221; to Simon Johnson enquiring whether anyone had seen him at a party.</li>
<li>&#8220;Is that the twitter critter?&#8221; shouted to me on the street</li>
<li>&#8221; Can i buy one?&#8221; a senior manager of Adobe</li>
</ul>
<p>I find my own reaction to Tweeture curious. On first hearing the idea, I mostly loved it, but struggled with the vision of a cute Teddy Ruxpin type character (which is not what we have), which seemed twee and certainly not something I would want to carry around. And yet (like <a href="http://www.heartrobot.org.uk/">Heart Robot</a> which was also made by <a href="http://www.greenginger.net/">Green Ginger</a>), i feel strangely maternal towards him. And last night, feeling slightly isolated from days of screens, updates and a lack of human touch, Tweeture (the craft robot) was a reassuring cuddle.</p>
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